Apple's iPad: What you need to know
Proving rumors right, Apple unveiled the iPad, a device that looks akin to a large iPhone or iPod Touch. It sports a 9.7-inch LCD touch-screen display, which makes use of the same multitouch technology found on the iPhone, Apple's Magic Mouse, and its notebook trackpads. It also has the same in-plane switching display technology that made its debut in the latest crop of iMacs. Like the iPhone and iPod, it sports a finger-friendly OS with an on-screen QWERTY keyboard, and an accelerometer that can detect whether the device is in portrait or landscape mode. It has a 30-pin dock connector, built-in Wi-Fi, and a home button that jumps users back to the main screen of the OS. It also has a volume rocker and a mute button--just like the iPhone.AppleAlong with a big screen, it's sporting a 1Ghz custom Apple chip (from its pick-up of PA Semi back in 2008). Apple says it can get 10 hours of video, which is about four more than the iPod Touch and the same as the latest generation iPhone. This translates to "a month" of standby time. The iPad will come in 16, 32, and 64GB capacities for $499, $599, and $699, respectively. That's just the Wi-Fi version though. Apple will also be selling a version of the iPad that includes both Wi-Fi and a 3G wireless modem built in. iPad users who want to make use of the 3G service, which is being offered by AT&T, can pick up one of two plans for that: $15 a month for 250MB of data, or unlimited for $29.99 a month. It also bumps up the baseline price of the device to $629 (16GB), $729 (32GB), and $829 (64GB).The iPad with just Wi-Fi will be shipping in the next 60 days, with the 3G version in the next 90 days. Other noteworthy specs:• The Wi-Fi antenna supports 802.11 a/b/g/n • The iPad weighs just 1.5 pounds. The version with 3G is .1 pounds heavier.• The screen resolution is 1024x768 (the iPhone/iPod is 480x320).• It can playback 720p HD video, though video output to external sources is limited to 480p.• It has the same oleophobic coating that made its debut on the iPhone 3GS. This helps face and finger grease bead up and wipe off easier.Bigger appsAs for apps, the iPad's screen runs larger than what can be found on Apple's smaller portable devices, which means developers have more screen real estate to work with. At the same time, the iPad is backwards compatible with existing iPhone and iPod Touch applications. Apps with smaller screen resolutions are simply scaled up to fit. Apple is giving developers a way to modify their applications to work with both sets of hardware.Up close with the Apple iPad (photos)See full gallery1 - 4 / 8NextPrevApple CEO Steve Jobs demonstrated the tablet running numerous first-party apps, including iTunes, a photo gallery, its Safari Web browser, iCal, e-mail, Google Maps, and YouTube. Many shared traits of what's been seen on the iPhone, just with more screen real estate. This was most evident in Apple's Mail app, which now features a two-up panel display with a preview of the selected e-mail in the larger part of the screen. According to Jobs, all of its apps were re-written to fit natively on the bigger display.Several companies also demonstrated their new iPad-optimized apps:• Gameloft showed off a larger-resolution version of its hit first-person shooter N.O.V.A., which will be out "later this year." • The New York Times demoed a tablet-friendly version of its app, which mimics the layout of reading a newspaper in portrait mode, except with video links that open up within an embedded player. • Brushes, a popular iPhone app, demoed the upcoming iPad version of its image editing software, which now makes use of the larger screen real estate to conceal large pop-up menus.James Martin/CNET• MLB.com unveiled a tweaked version of its app that adds video highlights, team info, virtual baseball cards, and more on-screen overlays.Apple also introduced an updated version of its iWork software. It's the first version of the software to run on one of Apple's portable devices, and makes full use of the iPad's touch screen. This confirms a rumor from The New York Times earlier this month. Worth noting is that iWork will be offered as three separate apps, all of which will cost $10 apiece. Having Numbers, Keynote, and Sheets will run iPad users $30, as opposed to the $79 price tag for the desktop version. Book distribution(James Martin/CNET)Jobs unveiled a new content delivery system called iBooks (not to be confused with Apple's former laptop line, the iBook). The new app features a virtual bookshelf with content from five major publishers:HarperCollins, Hachette, Penguin, Macmillan, and Simon & Shuster (note: Simon & Shuster is a division of CBS Corporation, which publishes CNET).Apple said the iBooks store will feature both popular books as well as text books. Notably absent was any mention of whether magazines will be available as well.Just like iTunes, books are split up into what's popular and by genre. Users can preview the first few pages before purchasing, and downloaded books are sent directly to the user's virtual bookshelf. They can then be read in a similar manner to what's already been available with Amazon's Kindle app. Users can read their books in portrait or landscape mode, change the size of the text, and hop around using a persistent table of contents.Other tidbitsApple will be selling a dock that comes with a keyboard for the iPad.Apple• Apple confirmed to CNET that the iPad is just like the iPhone and iPod Touch when it comes to Adobe Flash--it does not support the popular Web plug-in.• 250,000,000 iPods have been sold since 2001.• Apple has 248 retail stores that have seen 50 million visitors.• The App Store now has more than 140,000 applications. • There is still no multitasking. Apps can only run one at a time, that is, unless they're Apple's apps.• The iPad appears to use Apple's unibody machining process, which made its formal debut in the company's late 2008 MacBook line.• The new OS borrows a few cues from Snow Leopard, including the capability to change background wallpapers, and a 3D-style dock.• 125 million credit cards are already hooked up to the iTunes and App Store.• Apple is selling a number of first-party accessories, including a dock with a full-sized keyboard, a camera connection kit that lets users import images from their SD cards, and a case that doubles as a stand. Apple has not announced pricing for any of these items.Below is just one of our live videos from the event. Also, be sure to check out our Live Blog, which has many more pictures and details.
Netgear unveils Stora NAS
Netgear unveils Stora NAS
Thinking that its Ready NAS line of storage devices is too business-centric, Netgear on Monday announced a line of its network-attached storage servers, the Netgear Stora, that Drew Meyer, director of marketing for Netgear's NAS unit, called "most definitely a platform for everyone."The new NAS server is a two-bay storage device that can hold two internal SATA hard drives of any capacity. For now, that means drives offering up to 2TB of storage in RAID1 (mirrored) configuration. This RAID configuration mirrors data on two drives for protection against a hard drive failure.The server supports PCs, Macs, and Linux computers. It also supports digital media streaming and is Windows Media 7-compliant. It has one USB port that can be used to connect external hard drives for extra storage or to share a USB printer. At 6.90 inches by 5.91 inches by 5.74 inches, the NAS is cube-shaped and weighs about 3 pounds without hard drives.Netgear Stora NAS server photosSee full gallery1 - 4 / 5NextPrevWhile I haven't seen the product yet, judging from its specs and photos, Meyer's idea of a NAS platform for everyone seems rather simple. The Stora neither supports RAID0 (which is optimized for speed and large storage capacity), nor does it have eSATA ports. It also doesn't have more than one USB port and it's on the front of the server--not an ideal spot to add a permanent storage device or printer. It's also likely that it doesn't offer advanced home NAS servers functions, such as PC-less download or FTP server.According to Netgear, the Stora offers remote access via the MyStora Web site where users can do cross-platform file sharing, music listening, movie watching, and photo sharing from any Internet-connected device. Netgear also will offer a yearly premium service to support additional remote access and third-party service integration such as Flickr and mobile phones. The service costs $20 after an initial 30-day trial period. For the local network, the sever also supports multiple media streaming standards and is able to host digital content for iTunes as well as game consoles such as the Xbox 360 or PlayStation 3, as well as for smartphones.The Netgear Stora (MS2110) comes with a 1TB hard drive installed; however, users can put the second hard drive in, on the fly, without any tools and the server will automatically mirror the content of the first hard dive. The Stora also comes with automatic backup utilities for PCs and Macs.The Netgear Stora is available immediately and costs $229.
Thinking that its Ready NAS line of storage devices is too business-centric, Netgear on Monday announced a line of its network-attached storage servers, the Netgear Stora, that Drew Meyer, director of marketing for Netgear's NAS unit, called "most definitely a platform for everyone."The new NAS server is a two-bay storage device that can hold two internal SATA hard drives of any capacity. For now, that means drives offering up to 2TB of storage in RAID1 (mirrored) configuration. This RAID configuration mirrors data on two drives for protection against a hard drive failure.The server supports PCs, Macs, and Linux computers. It also supports digital media streaming and is Windows Media 7-compliant. It has one USB port that can be used to connect external hard drives for extra storage or to share a USB printer. At 6.90 inches by 5.91 inches by 5.74 inches, the NAS is cube-shaped and weighs about 3 pounds without hard drives.Netgear Stora NAS server photosSee full gallery1 - 4 / 5NextPrevWhile I haven't seen the product yet, judging from its specs and photos, Meyer's idea of a NAS platform for everyone seems rather simple. The Stora neither supports RAID0 (which is optimized for speed and large storage capacity), nor does it have eSATA ports. It also doesn't have more than one USB port and it's on the front of the server--not an ideal spot to add a permanent storage device or printer. It's also likely that it doesn't offer advanced home NAS servers functions, such as PC-less download or FTP server.According to Netgear, the Stora offers remote access via the MyStora Web site where users can do cross-platform file sharing, music listening, movie watching, and photo sharing from any Internet-connected device. Netgear also will offer a yearly premium service to support additional remote access and third-party service integration such as Flickr and mobile phones. The service costs $20 after an initial 30-day trial period. For the local network, the sever also supports multiple media streaming standards and is able to host digital content for iTunes as well as game consoles such as the Xbox 360 or PlayStation 3, as well as for smartphones.The Netgear Stora (MS2110) comes with a 1TB hard drive installed; however, users can put the second hard drive in, on the fly, without any tools and the server will automatically mirror the content of the first hard dive. The Stora also comes with automatic backup utilities for PCs and Macs.The Netgear Stora is available immediately and costs $229.
Beta goes meta- From innovation to trend in a heartbeat
Beta goes meta: From innovation to trend in a heartbeat
The fact that the Forrester Consumer Forum dedicates a panel to this much-blogged about topic is a sign that being in beta has become a broad cultural phenomenon. By nature we are all in beta, as the Boxes and Arrows blog poignantly remarks, and clearly, we now also live in an economy where "planes are built in the air." Many new products never make it beyond trial stage, and the trial and error beta-approach that helps Google and other alpha innovators to out-fail and thereby out-innovate the competition, is as much an attribute of successful organizations as it is a sign of our time. But it's not only analysts and conference organizers who are switching instantly from micro to macro, picking up nascent trends and elevating them to a must-deal-with core competence that transcends the current fad (just see all the Facebook conferences that are mushrooming right now). What I find even more interesting is how the media and blogosphere deal with it. If everything's in beta, the public doesn't have the patience anymore to wait for the alpha. As the media are increasingly forced to immediately widen the scope and view every innovation in a larger context as it occurs, the boundaries between reporters and commentators, bloggers and industry analysts are fading.Some examples: Not too long ago, Twitter was all the rage, and it was stunning to see that just shortly after the initial coverage during SXSW in March, reporters were already elaborating on the concept of micro-blogging, wondering what the new "radical transparency" meant for business. Nowadays, there is a great chance that you will stumble upon a Facebook story when you open just about any publication: It's Facebook vs. MySpace, the implications of social networking on the borders between work and personal life, reflections on the "Facebook economy," Facebook vs. iTunes, and maybe a philosophical piece on Facebook "as a post-modern book" or the future of social networking, which, for TIME, equals the future of the Internet. It is only a small step from MySpace to the "MySpace generation," and from Facebook to the "Facebook generation" and then to the "Fakebook generation." Similarly, the recent buzz around Radiohead's "pay what you want" online release has instantly led to the coining of a "Radiohead Generation" and praise for the band "as a pioneer of the digital revolution." And there are hundreds of articles discussing if Radiohead's decision ushers in the definite end of the record industry. The stories about the radical distribution model appear to eclipse the actual music on the album--in this case, too, the reviews are in before the story is told.Evidently, the media need to cope with the current while also putting forward a vision for the up and coming. The time between observation and conclusion, between description and prediction, however, has shrunk to almost zero. There are no more lapses between news, analysis, background story, industry trend story, and intellectual dissection; they have become one and the same, at the same time. Not only is beta the new alpha--beta has gone meta.
The fact that the Forrester Consumer Forum dedicates a panel to this much-blogged about topic is a sign that being in beta has become a broad cultural phenomenon. By nature we are all in beta, as the Boxes and Arrows blog poignantly remarks, and clearly, we now also live in an economy where "planes are built in the air." Many new products never make it beyond trial stage, and the trial and error beta-approach that helps Google and other alpha innovators to out-fail and thereby out-innovate the competition, is as much an attribute of successful organizations as it is a sign of our time. But it's not only analysts and conference organizers who are switching instantly from micro to macro, picking up nascent trends and elevating them to a must-deal-with core competence that transcends the current fad (just see all the Facebook conferences that are mushrooming right now). What I find even more interesting is how the media and blogosphere deal with it. If everything's in beta, the public doesn't have the patience anymore to wait for the alpha. As the media are increasingly forced to immediately widen the scope and view every innovation in a larger context as it occurs, the boundaries between reporters and commentators, bloggers and industry analysts are fading.Some examples: Not too long ago, Twitter was all the rage, and it was stunning to see that just shortly after the initial coverage during SXSW in March, reporters were already elaborating on the concept of micro-blogging, wondering what the new "radical transparency" meant for business. Nowadays, there is a great chance that you will stumble upon a Facebook story when you open just about any publication: It's Facebook vs. MySpace, the implications of social networking on the borders between work and personal life, reflections on the "Facebook economy," Facebook vs. iTunes, and maybe a philosophical piece on Facebook "as a post-modern book" or the future of social networking, which, for TIME, equals the future of the Internet. It is only a small step from MySpace to the "MySpace generation," and from Facebook to the "Facebook generation" and then to the "Fakebook generation." Similarly, the recent buzz around Radiohead's "pay what you want" online release has instantly led to the coining of a "Radiohead Generation" and praise for the band "as a pioneer of the digital revolution." And there are hundreds of articles discussing if Radiohead's decision ushers in the definite end of the record industry. The stories about the radical distribution model appear to eclipse the actual music on the album--in this case, too, the reviews are in before the story is told.Evidently, the media need to cope with the current while also putting forward a vision for the up and coming. The time between observation and conclusion, between description and prediction, however, has shrunk to almost zero. There are no more lapses between news, analysis, background story, industry trend story, and intellectual dissection; they have become one and the same, at the same time. Not only is beta the new alpha--beta has gone meta.
Subscribe to:
Posts (Atom)